You gotta be in it to win it

Peter Austin’s blog post deals with online endangered language archive searchability. As one of the targets of his latest post, PARADISEC apparently does not provide him with the results he wants in searching a catalog. Searching for ‘Educational material’ in a catalog makes lots of assumptions about the way that catalog has been constructed, one of which must be that the term is provided by the catalog or that the typical depositor would use the term in their freeform description of the item. Strangely, the answer he offers is not to provide the infrastructure on which such searches may succeed in future, but to advocate a folksonomy in which such searches will always be sure to fail.

The post is an advertisement for what is undoubtedly a very nice interface to a set of material held by ELAR, but we should also bear in mind the large amount of funding that ELAR/ELDP have had, so we would hope for at least a nice looking webpage after eight years now. It is also interesting that ELAR holds only 70 collections after ELDP has funded 216 projects, what has happened to the rest of the material, or am I being too commodifying to think of such a thing?

The comments on the post raise OLAC – a great service that provides information for the broader community (including linguists, but especially speakers who can access it via google), harvesting information from archives around the world every 8 hours to update its language documentation index. OLAC provides a system for digital archives to maximise the searchability of their catalogs. There are 45 digital archives who take advantage of this free service. That represents almost all language archives in the world but to date ELAR has unfortunately chosen not to be part of that community.

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Books, HTML, audio, images – falling out from fieldwork

I’ll be going to Vanuatu next month courtesy of Catriona Hyslop’s DoBeS project, to help build an installation of three computer-based interactive dictionaries (VurĂ«s, Tamambo and South Efate) for the Museum there. We will have hyperlinked dictionaries with sound and images where possible. All of this will be HTML-based for low maintenance and to allow new dictionaries to be added to the set over time. This post is aimed at outlining the method used to get these various files into deliverable formats and follows on from an earlier one where I talked about using ITunes to get media back to the village.

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Australian Humanities research infrastructure funding

All Australian humanities scholars with an interest in digital scholarship should take this brief opportunity to read and comment on the federal government’s ‘2011 Strategic Roadmap for Australian Research Infrastructure’ discussion paper. Why? Because the two previous ‘Roadmaps’ funded hundreds of millions of dollars’ worth of ‘research infrastructure’, almost exclusively NOT in the Humanities, but … Read more

Consortium on Training in Language Documentation and Conservation (CTLDC)

I recently attended a symposium titled Models for capacity development in language documentation and conservation hosted by ILCAA at the Tokyo University of Foreign Studies. The symposium brought together a group of people involved in supporting language work in the Asia-Pacific region in various ways (see the website for a full list): academic (Institute of Linguistics, Minhsiung, Taiwan, Beijing, China, Goroka, PNG, Batchelor, Australia, Bangkok, Thailand) and community-based (Manokwari, West-Papua; Tshanglalo, Bhutan; Bhasha Research Centre and Adivasi Academy, Gudjarat, India; Miromaa, Australia), using film (Sorosoro, France), or archiving language records (PARADISEC). The aim of the meeting was to build a network that would continue to link between training activities to support language work, the Consortium on Training in Language Documentation and Conservation (CTLDC), whose planning group members are listed here.

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How can we get the material we have used in our research back to the people we recorded?

Every time I revisited my fieldsite I was asked for copies of photos or recordings and I wanted some way that these could be accessed without me having to be present. When I started visiting Erakor village in central Vanuatu there was intermittent electricity available, usually only in the evenings in the house I lived in.

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How to import a basic transcript into ELAN

The problem: you have text files and audio files, but the text files are not aligned to the audio files.
I imagine there are a few readers out there who have transcriptions of audio files that never made it past an utterance per line text file. This is a post for you, if you’d like to know how to import and time-align those files in ELAN.

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The Growing PARADISEC Collection

Following on from Aidan’s blog last week announcing that PARADISEC‘s archive has reached 2000 hours of recordings, here is some of the detail about what’s in our digital archive. Along with Mark Durie’s collection from Aceh, described in the last post, are other collections from Bangladesh, Cambodia, Indonesia, China, the Cook Islands, Fiji, French Polynesia, Hawaii, India, Indonesia, Japan, Kiribati, Korea, Lao, Malaysia, the Marshall Islands, Micronesia, Myanmar, Nauru, Nepal, New Caledonia, New Zealand, Niue, Norfolk Island, Palau, Papua New Guinea, the Philippines, Reunion, Samoa, Solomon Islands, Sri Lanka, Taiwan, Thailand, Timor-Leste, Tonga, Tuvalu, Vanuatu, Vietnam, and Wallis and Futuna.

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Renovations, Repairs and Repositories

A lot of work has been happening at the University of Sydney over the past six months, and at the end of last year the top floor of the Transient Building, which houses Linguistics, Paradisec and a few other offices, got renovated. Unfortunately, since the entire exterior of the building is composed of fibrous asbestos, it’s unlikely that the University will outlay the mammoth insurance costs to do any exterior work. But anyone who knows the Transient building knows that the best option would be to demolish the whole thing and start again from scratch.

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A huge loss

Australia recently lost another of its national treasures. Paddy Bedford was one of the prodigeously talented Gija artists of the East Kimberley. He was doubtlessly one one of the greatest artists this country has ever produced. You can read obituaries here and here (WARNING: Photo) and see for yourself the wonderful legacy he has left … Read more