Please note that the PARADISEC website has been redesigned.

The new website can be found at http://www.paradisec.org.au/

 

 

Basic metadata describing PARADISEC's collection can be freely and easily searched through OLAC, ANDS or the LINGUIST LIST gateway.

Access to the collection and catalogue records is available here: http://catalog.paradisec.org.au.

Access to data in the PARADISEC repository is available to those who have signed an access form. A nominal fee may be charged for files delivered on CD/DVD. Completed forms should be posted or faxed to PARADISEC (Sydney).

PARADISEC has been funded by the Universities of Sydney, Melbourne, New England, ANU the Australian Research Council and Grangenet.

View a glossary of acronyms used on this site.

To report broken links or for comments on this webpage, email PARADISEC.

PARADISEC News

PARADISEC wins Versi Prize

 

In the words of the judges: “PARADISEC is an outstanding application of ICT tools in the humanities and social sciences domain that harnesses the work of scholars to store and preserve endangered language and music materials from the Asia-Pacific region and creates an online resource to make these available."

PARADISEC has been cited as an exemplary system for audiovisual archiving using digital mass storage systems by the International Association of Sound and Audiovisual Archives and has also been included as an exemplary case study in the Australian Governmet's NCRIS Strategic Roadmap for Australian Research Infrastructure.

 

PARADISEC features in the Strategic Roadmap for Australian Research Culture

 

The Pacific and Regional Archive for Digital Sources in Endangered Cultures (PARADISEC) is an exemplary HASS capability project, undertaking digital conservation and provision of international access to research resources in audio, text and visual media on endangered cultural heritage in Indigenous Australia, the Pacific Island nations, and East and Southeast Asia. The project is known internationally for its development of low cost techniques for recording, accessioning, cataloguing and digitising complex cultural resources in digital media.... Read More (p.42)

 

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